My portrait of Andrew Munday was used as an example of chiaroscuro in Ann Kullberg’s Colored Pencil Magazine, May 2015 edition.
See a behind-the-scenes tutorial of that exact shoot here.
Andrew Munday is the Director of Operations at DoorDash. He used to dabble in modeling until the successful startup took over all of his free time. 🙂
My work was recently published in Digital Photo Magazine as part of a larger article on portraits. Katherine Cheng is the model and you can see two other variations of my chiaroscuro portraits of her here and here. This will give you a good idea of how differently one person can look in three portraits taken in one session. Continue reading
Find your perfect match in time for your next (or first) big wedding shoot. Many of you are probably worried about not bringing the right equipment with you. We have thousands of items for you to rent but only certain items are ideal for weddings. This list will help you narrow it down to just the essentials to fit your shooting style. Take note of these 10 tips that will help you complete your skills….Read the rest on BorrowLenses.
Inspiration is fickle but skill blesses those who practice. Here are 7 creative exercises for portrait photographers who need to shoot but are lacking motivation or new ideas. Finishing just 1 of these ideas will help rekindle the flame of a lost muse, which is something every artist goes through. The best part is that you don’t have to have elaborate sets or exotic locations to do any of these 7 portrait challenges…Read the rest on 500px ISO.
I work out of a secure and centrally-located studio in San Francisco’s Design District as part of a collective of artist and developer stalls called Code and Canvas. We are a stone’s throw away from Creative Live, Left Space Studios, KQED, Anchor Steam Brewery, and on the map for SF Open Studios.
A very exciting development is taking place in our building: over 14,500 square feet is opening up for technical creatives including engineering designers, graphic designers, digital photographers, architects, potters, print makers, 3D printers, jewelry makers, clothing designers, and more! Affordable work space for creatives is very hard to come by in San Francisco. See the details below about the space and who to contact for more info. Continue reading
Get a jump start on the impending tax season! If you are considering taking your photography/videography to the next level and becoming a business, you will need to know a few things about taxes. Below is a brief list of things to consider, followed by some links to more in-depth guides…Read the rest on BorrowLenses.
How do you make every day count as a photographer? How do you make every day count for yourself? There is 1 major project that thousands of people start every January 1st that improves their lives and it has nothing to do with going to the gym…Read the rest on BorrowLenses.
Image theft is rampant and the temptation to steal is high. I am on both sides of this fence. At my day job in marketing, I want a perfect image to go with my copy at the ready, all the time. It’s just a Google image search away! However, I am also a photographer who makes a quarter of her yearly income from art and the thought of some other impatient desk jockey eyeing my work for use with no intension of asking me first makes my skin crawl.
There are tricks companies play to get you to either give them what they want or to stop being mad at them for already taking it: Continue reading
Photographing the inside of a room is tricky because there are a lot of reflective surfaces and lots of little objects everywhere to create shadows. Rooms are usually too dark to depend on natural light alone so I am going to show you one major trick that will build your confidence while shooting flash indoors, whether you hope to shoot interiors exclusively or if you’re simply shooting your own home for a listing…Read the rest on SmugMug.
After setting up my scene in a small room (still life photographs are a great activity during the cold months when shooting outside is undesirable), I put 1 Nikon SB-700 on a stand and behind a scrim to mimic window light. I used the Nikon 58mm f/1.4G lens on a D810. Opposite my main light I had a silver reflector on a Justin Clamp…Read the rest on 500 ISO.